THE ORAM AWARDS
PRS Foundation, the UK’s leading funder of new music and talent development, together with The New BBC Radiophonic Workshop created The Oram Awards celebrating innovation in music, sound and related technologies by the next generation of forward thinking women, trans and non-binary artists.
Named after Daphne Oram, one of the founding members of the original BBC Radiophonic Workshop, the awards hope to build on her legacy. Daphne worked at the workshop with others including Delia Derbyshire, Glynis Jones, Jenyth Worsley, Maddalena Fagandini and Elizabeth Parker, creating music for the distant future, the distant past and inside the mind. She played a vital role in establishing women at the forefront of innovation, in newly emerging audio technologies, in the UK and around the world.
Fast forward to 2017 and whilst there are many women innovating in music and sound, their work and their voices often struggle to be heard and we're missing the opportunity to celebrate role models for the next generation.
THE ORAM AWARDS 2020
For the first time, applications for the 4th annual Oram Awards for innovation in sound, music and related technologies will open to the general public from Monday 22nd June until Friday 31st July 2020.
The Oram Awards are targeted at the next generation of innovative women, girls and gender minorities in music and sound rather than more established names.
The award is open to women, girls and gender minorities of all ages from 11 years upwards.
There is only one category: innovation in sound, music and associated technologies.
We are looking for music and sound creators who:
are based in the United Kingdom;
create high quality original new music and sound;
innovate in sound, music and associated technologies;
through their work have demonstrated that they are deserving of increased recognition;
are ready for this opportunity and will use the PRS Foundation bursary for future creative and professional development.
Any music creator, or their representative who meets the criteria can now apply. We would encourage others to share this opportunity with those that they think are deserving of recognition.
To apply for this years Oram Awards
Ain Bailey is a sound artist and DJ. Her practice involves an exploration of sonic autobiographies, architectural acoustics, performance, as well as collaborations with performance and visual artists, such as Sonia Boyce and Jimmy Robert.
photo by Cacau Fernandes
Andie Brown began performing and recording as a solo artist in 2007 under the name These Feathers Have Plumes. Experimenting with glass and electronics, Andie has created what she terms an “augmented glass harp” and in recent years her work has focused on sound installation.
CEE HAINES AKA CHAINES
Cee Haines is a composer and multi-instrumentalist who writes surreal and fantastical electro-acoustic music under the moniker CHAINES. Their album, ‘The King’, was met with critical acclaim (The Wire Magazine, FACT Magazine), and their works for the London Contemporary Orchestra have been premiered at major venues including The Royal Albert Hall (BBC Proms, 2018).
NWANDO EBIZIE AKA LADY VENDREDI
Nwando Ebizie has been carving out her own particular strand of Afrofuturism as Lady Vendredi.
She is a multidisciplinary artist with an international focus whose work converges around performance art personas, experimental theatre, neuroscience, music and African diasporic ritualistic dance.
credit Dimitri Djuric
NATALIE SHARP AKA LONE TAXIDERMIST
Natalie Sharp is a 360 artist from Cumbria at the forefront of what The Quietus described as 'New Weird Britain’. As Lone Taxidermist, her practice focuses on presenting live music in non-conventional settings, challenging existing frameworks and expectations. Exploring issues around gender and sexuality, her practice pushes at the parameters of the live environment.
STEPH HORAK AKA SHEISREVOLTING
Steph Horak is a sound and video artist. She designs systems for voice and composition, and performs on the improvisation circuit. She produces experimental pop music under the name SheIsRevolting. She focuses on error, malfunction and bad programming to create polyrhythmic sonic washes against a backdrop of homemade videos.
Georgia Rodgers is a composer of instrumental and electronic music whose work focuses on textural and spatial aspects of sound and the experience of listening. In 2016 she was selected as one of Sound and Music’s New voices.
Georgia studied Physics and Music at the University of Edinburgh followed by a Masters degree in computer music taught by Michael Edwards. She is now pursuing a PhD in composition at City University, London, with a particular focus on the perception of sound, space and the human experience of listening. Her supervisor is Newton Armstrong.
Georgia also works part-time as an acoustician for a firm of consulting engineers, specialising in architectural acoustics. She lives and works (and was born) in north London.
North London native Loraine James is an electronic artist/producer (influenced by artists such as Aoki Takamasa, Telefon Tel Aviv and Toe) with a lot of promise and already a wealth of material. A master at crafting organic textures through inorganic means, she effortlessly blends Electronica and IDM with whispers of jazz and ambience all wrapped up in the artists key avant-garde aesthetic and sensibility.
Having released her debut album ‘Detail’ in 2017, Loraine has gone on to play at Shankra Festival in Switzerland, Rye Wax and Splice Festival at Rich Mix.
Francine Perry is a 25 year old producer, composer and engineer based in London.
Under the moniker La Leif she makes gritty electronic music that sits somewhere between broken techno and a dystopian film soundtrack. Her new material takes inspiration from the urban soundworld as apposed to the natural soundworld of her debut EP ‘The Nest’. It involves field recordings taken in Berlin and London, meshing industrial sounds into a deep listening and club context. As well as making music Francine co-founded the London based collective for female and non-binary music producers called Omnii and is one half of the duo ORKA with whom she has toured across Europe, Hong Kong, Greenland and the Faroe Islands.
Her next EP ’Violet’ will be released on August 31st by Blank Editions.
Ewa Justka is a polish electronic acid-technoise artist, self taught instruments builder and electronics teacher based in London.
She is also interested in the notion of materiality of objects, vibrant, ontological systems (human bodies, electronic circuits, integrated circuits: varied range of micro and macro environments and relations between them) and an investigation of modes of quasi-direct perception through extreme light and sound actions, electronics, hardware hacking, breaking, deconstructing, wiring - or, to put it bluntly - designing synths and playing hard techno.
Have you heard of Klein? If not, then get ready to be introduced to a global phenomenon!
For the past two years Klein (Zoe Bell) has been living the dream out in LA, first of all as a backing singer for stars such as Victoria Justice and Nicki Minaj, before being discovered by music guru Tony Bennett who personally invited her to record in his studio. Since then, she hasn’t looked back.Her first single ‘Where’s the bulb?!’ became an internet sensation, racking up 495,078 views within a week of it being shared by legends such as Gary Barlow, Ray Mears and Enya.
CLAIRE M SINGER
Claire M Singer is a composer, producer and performer of acoustic and electronic music, film and installations. In recent years her work has focused on a mix of organ, cello and electronics and her debut album Solas was released on Touch in June 2016 followed by her second release Fairge in October 2017.
Performances and commissions include Union Chapel; Sound Festival Scotland; Tate Modern London; The Shunt Vaults; Chez Poulet Gallery San Francisco; XMV New York City; Fylkingen Institute Stockholm; Ceremony Hall Austin, TX; Norwich Arts Centre; Kunst-Station Sankt Peter Cologne; Muziekgebouw Aan' t ij Amsterdam, Oude Kerk Amsterdam and the Barbican London.
Freya Edmondes is a multidisciplinary artist and active in fields of fine, visual and audio arts. As a music producer she is participating in different projects such as NAPALM TREE.
Her solo project Elvin Brandhi combines experimental music with electronic beats. Described as being in a "genre of one"* her duo, Yeah You, are a father-daughter duo making noise-pop out of field recordings taken in Ikea car parks. Elvin's energetic and skilled performance work results in sonic art that does not easily fit into any specific category or genre.
Kathy Hinde’s work grows from a partnership between nature and technology expressed through audio-visual installations and performances that combine sound, sculpture, image and light.
Drawing on inspiration from behaviours and phenomena found in the natural world, she creates work that is generative; that evolves; that can be different each time it is experienced.
Kathy frequently works in collaboration with other practitioners and scientists and often actively involves the audience in the creative process. She has created light and sound installations in public spaces, including urban streets, woodlands and forests.
Mary Stark is an artist filmmaker with a background in textile practice.
Since 2012 Mary has been making 16mm film performances exploring optical sound created from fabric and stitch patterns. The filmmaking technology of optical sound involves visual forms in the soundtrack area of the filmstrip transforming into noise through film projection. Mary's performances summon absent voices and obsolete industries, involving 16mm film projection, light and shadow, mechanical noise and music associated with textile production.
Sally Golding is an British-Australian artist creating immersive audiovisual performances, sound art releases and participatory installations which consider liveness in audiovisual art as a mechanism for shared experiences and dialogues within new technological contexts. Golding blends discordant sonics and harsh lighting in her approach to sound through her innovative ‘darkroom compositions’ reminiscent of tape cut-ups created by reworking the optical soundtrack area of the industrial film sound system as a site for psychoacoustic ‘radio play’; experimentation with lathe cutting her own audio inscribing recordings with the sound of the substrate; and live interference and generative feedback systems using amplified lighting and light sensitive audio including instrumentation with repurposed camera flash units and laboratory strobe lights.
Shelly Knotts produces live-coded and network music performances and projects which explore aspects of code, data and collaboration in improvisation.
She is currently based in Melbourne, AUS. She performs internationally, collaborating with computers and other humans. She studied for a PhD in Live Computer Music at Durham University with a focus on collaboration in Network Music. She is currently a Research Fellow at SensiLab, Monash University working on Improvisational Interfaces.